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ATMA ANUR



Born in London, England of West Indian parentage, Atma Anur is regarded as one of the foremost and most highly coveted session drummers in the Rock-Fusion / Neo-Classical worlds. As of March 2013 Atma has recorded 138 internationally released CDs and has logged hundreds of hours of studio time for recording projects in almost every popular musical genre.

Atma Anur studied Orchestral Percussion, Jazz Performance and chart reading, Jazz Composition and live drumming performance at the Manhattan School of Music and the Berklee Collge of Music, in addition to his own private studies of world music which began in 1975 at the famous Lincoln Center For The Performing Arts Music Library in NYC. While still in NY, Atma also studied privately with the legendary William V. Kessler and many other Jazz drum set teachers in the NYC music scene.

While living in NYC, Atma played mostly Jazz, Funk and Avant Garde music, in clubs and on the streets of Mid-Town Manhattan. Some of Atma's early musical liaisons include Joe Bowie, Luther Thomas, 190 PSA (Poly Rhythmic/ Poly-Tonal Avant Garde), and the legendary Arthur Rhames.

Atma moved to San Francisco in 1981 and began playing mostly in the California Bay Area Jazz and Fusion scenes with a great many artists that include Lorn Leber, Bill Sommers (Herbie Hancock), Steve Kindler (Mahavishnu Orchestra), Chipito Areas (Santana), Benny Reitveld (Miles Davis), Sukavat Ali Khan, to name only a fraction of the many great artists.

In the mid 80's Atma officially entered the California Rock-Fusion and Progressive Rock scenes. His work in this field have become some of his most well-known performances. His relationship with Mike Varney's Shrapnel Records label of guitar-oriented music introduced Atma to the California "Shred" community. These recordings have been regarded as some of the finest and most influential instrumental music recordings of the modern instrumental era. Among the many recordings with Atma on drums for Shrapnel Records is the highly acclaimed PERPETUAL BURN CD by Jason Becker.

Atma Anur is the drummer on two of the GUITAR WORLD MAGAZINE'S TOP 10 BEST CLASSIC SHRED ALBUMS: Number 9, SPEED METAL SYMPHONY by Cacophony, and Number 10, GREG HOWE by Greg Howe.

Artists that Atma has played and/or recorded with in this genre include Jason Becker, Tony MacAlpine, Cacophony, Greg Howe, Richie Kotzen, Lindsey Boullt, Stu Hamm, Joe Satriani, Alex Skolnik (Testament), T.M. Stevens, Billy Sheehan, Marco Mendoza (Whitesnake), Andy West (Dixie Dregs), Doug Wimbish (Living Colour), John Goodsall (Brand X), and Guthrie Govan, to name just a few!

Since 2007 Atma has been living in Europe, after having lived in the U.S. for over 30 years. Atma has recorded over 25 CDs during this short period of time, and continues to record and tour with many highly talented new, and established, European and Asian artists. Some of these excellent musicians include Daniele Gottardo, Joop Wolters, Timo Somers, Barend Courbois, Luca Zamberlin, Steve Saluto, Taka Minamino, Kenny Lubcke, Mattias IA Ekhlund, Pawel Maciwoda (Scorpions), Maryla Rodowicz, Nandini Srikar, Andy James, Jani J. Szentkiralyi and many, many more!

Atma began teaching at the age of 17 while still living in NYC. He has continued in his love of sharing the joy of music and creativity for over 30 years. Atma has been a clinician for DW Drums and Sabian Cymbals, and has taught at music schools around the world, including The John Ford School of Music in San Francisco, The Cazadero Music Camp in Northern California, The Krakow Jazz School, The Swarnabhoomi Academy of Music in India and The International Summer Jazz Academy in Poland.

Atma will offer One-on-One drum lessons, on line via SKYPE, starting later this year, 2013.

More information is available at Atma's official web site
www.atmaanur.com

More videos available at
http://www.youtube.com/atmaanur

Follow Atma's blog at
http://atmaanurlegacy.wordpress.com/

Hear more music from Atma at
https://soundcloud.com/atmaanur

JOSH RAMOS

INFO

BIOS

KENNY LUBCKE

LIVIU SORESCU

Liviu was born on the 27th of august 1978 in Cluj Napoca, an important cultural and economic centre in Romania, also considered as the unofficial capital of the Romanian historical province Transilvania.
His musical talent was spotted at a very young age. He showed musical ear abilities at the age of two, when he could sing small songs with accuracy. At the age of five his parents bought a piano and he immediately started to play with it, discovering how to play ON it. He soon discovered how to play simple pop pieces he heard on TV, impressing everyone around.

At the age of 7 he was admitted at the local music high school which had also primary and gymnasium classes. He studied classical piano, graduated and was further admitted at the local “Gheorghe Dima Music Academy” where he continued his classical piano studies and graduated with a bachelor's degree. Although he benefited from  formal classical  training, he never felt his musical path would be in the classical field. He liked Elvis Presley when he was in primary school, especially the dynamic moving songs like Jailhouse Rock and Blue Suede Shoes. But in the fifth grade he discovered Europe’s Final Countdown which was a musical revelation at that time, and opened his way to hard rock music. Soon after that Liviu discovered the Swedish neoclassical metal guitarist Yngwie Malmsteen, this discovery led Liviu to the "metal combined with classical harmony" side of music, he remained a huge fan of both Malmsteen and Neoclassical Metal . Along with Malmsteen he also discovered other guitar virtuosos, such as Tony MacAlpine, Marty Friedmann, Joe Satriani, Steve Vai, and Paul Gilbert to name a few.  Liviu spent his teen years in the Guns’N Roses and Metallica era, when these two bands were heavily aired on MTV and other mainstream media, along with Whitesnake, Malmsteen and later, Glam Metal bands like Firehouse, Cinderella, Warrant, Hardline and more.  In his last year of Music Academy he discovered the Finnish Symphonic Metal band Nightwish, which also had a huge impact on his musical conception.

He started playing as a Keyboardist at 14 years of age, with mates of his age in a band called Perry Song, they soon renamed as Atlantic. That went on till 1997 when in the last year of high school, the band played their last gig together at the local Music Pub. After this the band split. After a year of pause Liviu joined a local heavy glam band called C.A.S.H. with which he played five years and recorded two studio albums. In 2001 he joined another melodic metal band called Seven, with which he played from 2001 till 2003 and from 2006 till 2007. He also played with another Romanian rock band called Antract with which he recorded the Live 25 Years Anniversary Album. Liviu played as a mercenary with Jonathan Kalthoeber, known as JK, the best Robbie Williams impersonator. Liviu won Best Keyboardist prizes with Seven in 2001 and 2003 in national rock festivals, and Best Keyboardist in 2003 at a local Creation Festival where he performed with three different bands. In 2003 he co founded, and played keys with,  a voice and piano duo which won first prize and a trophy in a national pop contest festival called “Mamaia”. His favorite manner of playing keys is doing "guitar like" leads, a passion he developed in listening to Malmsteen and Mac Alpine. From 2004 to the present Liviu focuses primarily on developing his own musical projects and songwriting abilities, which consist of different manners of combining Pop, Rock and Metal music with Symphonic orchestration, blended also with modern sounds, while collaborating with players such as guitarists Richi Bordea and Jani J. Szentkiralyi and rock vocalist Ovidiu Anton.

Kenny Lübcke has been singing and playing music, since he was 8 years old.
Starring in his brothers band at the age of 13, Kenny always knew that there would be no turning back once he stepped onto the stage.

Ever since that first show singing and playing has been the life for Kenny.
Working with the best musicians and artists has earned Kenny the reputation of being one
of the strongest and most powerful rock singers in Denmark, and has brought him to various stages around the world.

Even though rock as a style has dominated Kenny´s musical life, the art of the vocal has always been his main interest.
Listening to and playing all kinds of music, Kenny has managed to create his own unique voice and expression.
”It takes an awful lot of time to put together all your influences and inspirations to form your own unique voice”, he says,” and if your lucky, it never ends”
”Its an ongoing voyage towards becoming a good craftsman, no matter what craft you choose in life”, he continues, ”and at the end of the day, your craftsmanship is all you have, and its just a matter of doing the best you can”

As a producer/singer/arranger Kenny has put his special thumbprint on countless recordings throughout the years with bands like Narita, Royal Hunt, and Cornerstone. He also tours with Symphonic Orchestras while also doing musical performances like Chess and the stage classic, Jesus Christ Superstar.
”Standing on a stage with a huge symphonic orchestra right behind you is one of the most giving and musically rewarding experiences in my entire life” he says, and he continues,”it´s gotta be the way heaven sounds, all acoustic instruments played by truly gifted musicians”

Currently Kenny is working on his solo album, in between appearing as a singer in various TV and radio-commercials, while also doing studio sessions and live gigs.
”I´ve had all these songs for a long time, and I'm still writing new ones, so now it's about time I release them to the public. My whole life is in those songs and they need to be sung” he ends.

It’s often been said that the greatest art comes from life’s greatest storms. For world class guitarist Josh Ramos, the last decade and half in the music industry may have been a constant roller coaster ride of incomprehensible highs and vulnerable lows, but he’s a survivor in the truest sense of the word. Whether bursting out of the Bay Area California scene in the mid-80s with LeMans, playing lead guitar for the international super groups The Storm, Hardline, and Two Fires, or assuming road positions with Enrique Iglesias or Menudo’s “El Reencuentro” acclaimed reunion trek throughout Central and South America, Spain, and the United States (including three dates at the prestigious Radio City Music Hall), Ramos is a jack of all trades. Most known for his work in the Interscope recording group The Storm (also featuring Santana/Journey Rock and Roll Hall of Fame member Gregg Rolie, Journey’s Steve Smith and Ross Valory, and 707’s Kevin Chalfant) Ramos put his signature riffs and explosive playing style on the group’s top ten Billboard hits like the ..4 “Most Added To U.S. Play List,” earning Ramos and Chalfant two music awards in London). Throughout the early to mid-90s the band toured the world in support of a self-titled disc and its follow-up Eye of the Storm with the likes of Peter Frampton, Bryan Adams, Richard Marx, and Tom Cochrane, playing its timeless blend of album oriented rock and staples of members’ vast catalogues. “It was such a dream come true to work with my heroes that I saw in concert when I was a kid,” recalls the Puerto Rican born, Chicago bred Ramos, reveling in The Storm’s memory. “Here I was on stage playing with them, because I had prepared myself and visualized it to the point of becoming a reality. It’s amazing when you practice enough to be in that same league what can come out of it.” Following The Storm’s lightening bolt rise on the charts, he transitioned into the spin off band Two Fires, once again featuring Chalfant on vocals, plus bassist Willie Weeks (Wyonna Judd) and drummer Kenny Arnoff (Melissa Etheridge, Smashing Pumpkins, John Mellencamp, Ricky Martin). Next, Ramos took up where Journey’s Neal Schon left off in Hardline (recording Hardline II and performing at the Gods Festival in Bradford, England), proceeded by numerous tours with the aforementioned Latin artists. As amazing as that string of experiences were for the veteran guitar player, the toil of the road and time engulfed in other people’s projects hindered work on his own material (an endeavor Ramos envisioned ever since earning writing credits on the debut Storm disc). “You have ebbs and flows with great things happening and periods when you don’t know what’s going to come up next,” Ramos shares. “When you’re on the road constantly, it can wear you out a lot, but you’ve got to have faith and stay balanced. As an artist, a big part of that balance is creating material of your own and staying on top of your game.”After making a serious effort to take time off the touring trails in early 2002, Ramos finally put his pen to paper and hand to guitar, creating a very personal batch of material and enlisting some of the best session backers in the business. With the help of vocalist Mark Weitz (Malice, Eyes, Odin), keyboardist Michael T. Ross (Hardline, Accomplice), drummer Atma Anur (Journey, Two Fires, Richie Kotzen), bassist Scott Snyder (Accomplice), and supporting keyboardist Russ Greene, Living in the Light sears with melodic rock intensity and soars with power ballad beauty. “The project mixes what I’ve always loved about rock music, right down to the sound of different guitars to having the platform to say what’s on my mind,” relates Ramos. “Musically, there’s been a lot of influence from the past people I’ve played with and those I’ve grew up listening to. Lyrically, I’m trying to blend in themes that go deeper than just rock and roll, girls, and drinking. There’s personal feelings that I’ve dealt with, a heavy handed dose of reality, and even some bits of spirituality.” From the messages of carpe diem on “Seize the Day” and “The Dream Is Alive” to the religious undertones of “Love Is the Magic” and the title cut, to the party starting yet tasteful revelry of “Night Has Fallen,” the discs’ dozen tracks burst at their seams with passion, power, and pleasantry. Guest bassist Stu Hamm (Joe Satriani, Steve Vai) further enhances “Tell Me Why” and “Winds of Change,” while tunes cuts like “Come Back To Me” and “So Far Away” are amongst the many sporting immediate radio ready appeal. “My goal with this CD is to satisfy my fans and hopefully they like what I’ve done enough to warrant taking this band on tour,” Ramos concludes. “So far the reception has been wonderful, so that should lead to at least a second Ramos recording. As long as I can keep touching people and saying or playing something that they can connect with, than I feel like I’ve done my job as a musician.” 

RAMOS/ANUR PROJECT

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